Product Guide
Overview: There are seven product parameters that uniquely specify the MRL product SKU
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Tape Width: We sell tapes in all four major formats: ¼", ½", 1", and 2".
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Playback Speed: We sell single speed tapes with all four standard speeds (3¾, 7½, 15 &
30 ips), and
also two dual-speed options (<7½|15> ips and <15|30> ips).
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Equalization: Typically, either IEC or NAB for 7½ and 15 ips; and AES for 30 ips. Check
your owner's manual.
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Reference Fluxivity: This determines, in effect, how "hot" 0dB is. We recommend
250nWb/m for ATR, and RTM SM911 tape; 355 nWb/m for RTM SM900 tape.
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Fringing Compensation: Compensates for frequency response aberrations when a
full-track recording is played back on narrow tracks. Typically, disabled for ¼" tapes, and enabled for
½", 1", and 2"
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Duration: Self-explanatory. There are typically 2 or 3 options.
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Test Signals: We offer the standard multifrequency program (13
frequencies); and also various short-format programs (2-6 frequencies depending on the model).
We recommend the multifrequency tape for maintenance and repair technicians and professional
calibrations. For recording engineers and enthusiasts the short program tapes are generally a
cost-effective alternative when you just set levels and check equalization.
Tape Width
Options |
SKU Code |
SKU v1 Example |
SKU v2 Example |
¼" |
2 |
21J205 |
243-101-480-113 |
½" |
3 |
31J219 |
343-103-482-127 |
1" |
4 |
41J216 |
443-103-482-139 |
2" |
5 |
51J213 |
543-103-482-141 |
Playback Speed(s)
Options [in/sec] |
SKU v1 Code |
SKU v1 Example |
SKU v2 Code |
SKU v2 Example |
3¾ |
F |
21F201-A |
2 |
221-102-480-110 |
7½ |
T |
21T204 |
3 |
233-102-480-113 |
15 |
J |
21J205 |
4 |
243-101-480-113 |
30 |
L |
21L221 |
5 |
251-101-480-114 |
<7½ | 15> |
n/a |
n/a |
99* |
299-008-480-114 |
<15 | 30> |
n/a |
n/a |
99* |
299-007-480-117 |
*99 indicates dual-speed,
but not the actual speeds. The second triplet specifies the speeds, and also the test frequencies.
Reference Fluxivity
Options [nWb/m] |
SKU v1 Code |
SKU v1 Example |
SKU v2 Code |
SKU v2 Example |
200 |
1 |
21J105 |
46 |
243-101-460-111 |
250 |
2 |
21J205 |
48 |
243-101-480-113 |
280 |
3 |
21J305 |
49 |
243-101-490-114 |
355* |
4 |
21J405 |
51 |
243-101-510-119 |
500§ |
5 |
21J505 |
54 |
243-101-540-112 |
*Used with most modern tapes (eg: ATR456,
RTM911).
§Typically used with RTM900 tape.
Test Signals
Options [nWb/m] |
SKU v1 Code |
SKU v1 Example |
SKU v2 Code |
SKU v2 Example |
200 |
1 |
21J105 |
46 |
243-101-460-111 |
250 |
2 |
21J205 |
48 |
243-101-480-113 |
280 |
3 |
21J305 |
49 |
243-101-490-114 |
355* |
4 |
21J405 |
51 |
243-101-510-119 |
500§ |
5 |
21J505 |
54 |
243-101-540-112 |
*Used with most modern tapes (eg: ATR456,
RTM911).
§Typically used with RTM900 tape.
Equalization
Options [nWb/m] |
SKU v1 Code |
SKU v1 Example |
SKU v2 Code |
SKU v2 Example |
200 |
1 |
21J105 |
46 |
243-101-460-111 |
250 |
2 |
21J205 |
48 |
243-101-480-113 |
280 |
3 |
21J305 |
49 |
243-101-490-114 |
355* |
4 |
21J405 |
51 |
243-101-510-119 |
500§ |
5 |
21J505 |
54 |
243-101-540-112 |
*Used with most modern tapes (eg: ATR456,
RTM911).
§Typically used with RTM900 tape.
Fringing Compensation
Options [nWb/m] |
SKU v1 Code |
SKU v1 Example |
SKU v2 Code |
SKU v2 Example |
Disabled |
n/a |
n/a |
0 |
243-101-480-113 |
Enabled |
n/a |
n/a |
2 |
243-101-482-111 |
Typically, we apply fringing compensation to ½", 1",
and 2" tapes, but not to ¼".
Duration
Options [nWb/m] |
SKU v1 Code |
SKU v1 Example |
SKU v2 Code |
SKU v2 Example |
200 |
1 |
21J105 |
46 |
243-101-460-111 |
250 |
2 |
21J205 |
48 |
243-101-480-113 |
280 |
3 |
21J305 |
49 |
243-101-490-114 |
355* |
4 |
21J405 |
51 |
243-101-510-119 |
500§ |
5 |
21J505 |
54 |
243-101-540-112 |
*Used with most modern tapes (eg: ATR456,
RTM911).
§Typically used with RTM900 tape.
Catalog Documents
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Please have a look at our new Product Selector to quickly find the MRL part
number if you already know the width, speed, equalization, etc. that you need.
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Which Calibration Tape Should I Buy? An Elementary Guide should help those
who are new to analog magnetic tape recording to find the right Calibration Tape for their needs.
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Our Explanation of the MRL Catalog Numbers will help convert your specs to an MRL
part number, once you have decided which recording parameters, and test signals that you need.
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All of our Calibration Tapes are recorded full-track, and so may be used for calibrating reproducers of any
track format.
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We make many different sets of test signals, and each is described in one of our "Publications". Within each
publication you will find the test signal descriptions, part numbers and prices for various tape widths, speeds,
standard equalizations, and lengths.
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We only stock a few of the more popular types of Calibration Tapes, but can usually make anything not in stock
2-4 weeks after receiving an order.
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Here are some examples of the catalog pages describing Calibration Tapes with the more popular test signals:
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Multifrequency (general purpose, for setting reproducer gain, azimuth, and
frequency response from 32 Hz to 20 kHz).
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Two frequencies (1 kHz, 10 kHz).
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Three frequencies (1 kHz, 10 kHz, 50 Hz).
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Four frequencies (1 kHz, 10 kHz, 16 kHz, 50 Hz).
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Two-speeds, with many different selections of frequencies.
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Flutter and Speed Test.
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Complete List of MRL Publications gives all the other test signals that we can
record for you, including Polarity
Calibration, special signals for Sound Technology or for Audio Precision measurement systems, Fast
Swept-frequency for
use with an oscilloscope, Slow Swept-frequency for use with a plotter, single frequencies, Broadband Pink Noise,
Broadband
White Noise, and Chromatic Sweep for use on your reproducer's vu meter.
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Choosing and Using MRL Calibration Tapes, a 12-page technical paper, gives a more
advanced discussion of general
information that applies to all of our calibration tapes. Topics covered include a guide to choosing a
Calibration Tape
(standards, test signals available, levels, reference fluxivity, and fringing), tape reproducer adjusting
techniques (preliminaries,
low-frequency response calibration, what to do in case you don't have the right calibration tape), some tape
recorder adjusting
techniques, and our specifications and tolerances.
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We no longer make Calibration Tapes in the Broadcast
Cartridge format because lube tape and cart
shells are no longer readily available.
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We do not now make, nor have ever made, calibration cassette tapes.
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Please consult our many other technical papers on magnetic recording for
more detailed information.
MRL has been a Sustaining Member of the Audio Engineering Society since 1976